From geert at xs4all.nl Fri Apr 9 10:43:00 2010 From: geert at xs4all.nl (Geert Lovink) Date: Fri, 9 Apr 2010 10:43:00 +0200 Subject: Chat Roulette video by Casey Neistat Message-ID: http://www.vimeo.com/9669721 Chat Roulette video by Casey Neistat From info at vitocampanelli.it Fri Apr 9 10:45:12 2010 From: info at vitocampanelli.it (Vito Campanelli) Date: Fri, 09 Apr 2010 10:45:12 +0200 Subject: 59 seconds In-Reply-To: <74369.59483.qm@web33103.mail.mud.yahoo.com> References: <74369.59483.qm@web33103.mail.mud.yahoo.com> Message-ID: <4BBEE918.2050207@vitocampanelli.it> An HTML attachment was scrubbed... URL: From es at mur.at Mon Apr 12 20:19:33 2010 From: es at mur.at (Evelin Stermitz) Date: Mon, 12 Apr 2010 20:19:33 +0200 Subject: ArtFem.TV in Colombia: Festival Internacional de la Imagen Message-ID: <20100412201933.9qju5g3lwg0gcgo4@secure.mur.at> ArtFem.TV will be exhibited at Colombia's largest Media and New Media Arts Festival, organized by the Department - Departamento de Diseno Visual de la Universidad de Caldas, in Manizales, Colombia. IX Festival Internacional de la Imagen Centro Cultural y de Convenciones Teatro los Fundadores April 13 - 17, 2010 For more information please go to the website and to find the huge exhibition list VI MUESTRA MONOGRAFICA DEL MEDIA ART please go to > convocatorias > media art > admitidos. http://www.festivaldelaimagen.com With best regards from Evelin! ~ evelin stermitz ~ http://evelinstermitz.net ~ http://artfem.tv ~ http://world-of-female-avatars.net From seth.keen at rmit.edu.au Wed Apr 14 03:59:39 2010 From: seth.keen at rmit.edu.au (Seth Keen) Date: Wed, 14 Apr 2010 11:59:39 +1000 Subject: Online video - business models Message-ID: <34326F9B-CB2B-49A5-9095-89E50B6B4188@rmit.edu.au> Clay Shirky uses online video as an example in a discussion on changing business models. The Collapse of Complex Business Models - http://www.shirky.com/weblog/2010/04/the-collapse-of-complex-business-models/ "Some video still has to be complex to be valuable, but the logic of the old media ecoystem, where video had to be complex simply to be video, is broken. Expensive bits of video made in complex ways now compete with cheap bits made in simple ways. ?Charlie Bit My Finger? was made by amateurs, in one take, with a lousy camera. No professionals were involved in selecting or editing or distributing it. Not one dime changed hands anywhere between creator, host, and viewers. A world where that is the kind of thing that just happens from time to time is a world where complexity is neither an absolute requirement nor an automatic advantage." best Seth Keen --- Lecturer, Media School of Media and Communication RMIT University office: 9.4.43 (city campus) tel: (61 3) 9925 3017 sethkeen.net/blog -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at shellysilver.com Sat Apr 17 02:49:39 2010 From: info at shellysilver.com (info) Date: Fri, 16 Apr 2010 20:49:39 -0400 Subject: new blog Message-ID: <4EEB4A4B-E5F9-4F18-B825-8698E700742A@shellysilver.com> dear all: i've started a new blog about the moving and still image, words, sound, art, life... it is currently residing at: http://www.5lessonsmovie.com/blog as part of the website for my new film 5 lessons and 9 questions about Chinatown postings are irregular but semi-frequent, depending on time and desire any comments/feedback greatly appreciated. best, shelly www.shellysilver.com www.5lessonsmovie.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From noellawrence at sprintmail.com Mon Apr 19 06:49:45 2010 From: noellawrence at sprintmail.com (Noel Lawrence) Date: Sun, 18 Apr 2010 21:49:45 -0700 Subject: New Media Film Festival Message-ID: Dear Friends and Colleagues, In case you have not heard already, I was recently appointed as the Director of Programming for the inaugural edition of the New Media Film Festival. The event takes place in Los Angeles this June. Here is our official website: http://www.newmediafilmfestival.com I certainly hope you can attend as well as submit your latest films, videos, and other dazzling audiovisual content. The official announcement for the festival is below. Best, Noel P.S. You can use the promotional code NM254 to get $5 off the submission fee. CALL FOR SUBMISSIONS: NEW MEDIA FILM FESTIVAL The New Media Film Festival (NMFF) spotlights stories worth telling. We are looking for films that exemplify the power of the cinematic arts to inspire and transform. The festival celebrates innovative and imaginative visual work that can make audiences laugh, cry, think, and go beyond the ordinary. In its inaugural year, NMFF will exhibit a selection of both short and long-form works that exhibit a strong personal vision combined with the highest standards of creative excellence and technical achievement. The films will be judged by a jury of notable film executives who will award a $10,000 grand prize of goods and services from Big Vision Studios (http://www.bigvision.com). All finalists also will be viewed by distributors for possible online, theatrical, or broadcast distribution. Last but not least, any filmmaker who submits their work to the NMFF will receive FREE producer software ($89 value) from Showbiz Software (http://www.showbizsoftware.com ). Go to this website to submit your films: https://www.newmediasubmissions.com/ SUBMISSION CATEGORIES Feature Length ? Documentary ? Shorts ? 3D ? Webseries ? Webisode ? Mobisode ? Mobile ? Shot on RED We are very eclectic in our tastes. All ages, all cultures, all new media should apply. ABOUT THE FESTIVAL The first annual New Media Film Festival celebrates the art of storytelling in the Digital Age. NMFF runs June 11-13 at the Downtown Independent Theater (http://www.downtownindependent.com/) in downtown Los Angeles. Filmmakers, artists, and anyone who enjoys watching movies are welcome and invited to attend. Highlights of the festival include an opening night celebration with a celebrity Red Carpet, an opening night film shot on RED, a midnight 3D pajama party, and various unique panel discussions with top industry professionals including new media leaders Ted Schilowitz (RED Camera), 3D expert Per Peterson (Peter Jackson, Panasonic), Greg Reitman (Sundance winner) among others. Tickets for these special opportunities are available starting at $10.00 for general admission and can be purchased online at http://www.newmediafilmfestival.com. Selected films will compete for a grand prize Big Vision Studio package worth over $10,000. The NMFF is searching for the best ?stories worth telling, in all media that are innovative, imaginative, and inspirational,? according to founder Susan Johnston who is also an award winning independent filmmaker. Winners will be selected by an impressive group of expert celebrity judges including Erin Gray, Lisa Precious, Camille Solari, Shi Haifley, Kate Mucci, Prince Lorenzo de Medici, John Bovino, Dan Stoloff, Noel Lawrence, and Ed Lantz. Top Finalists in each category will be awarded a software package valued at $1,000 from Showbiz Software. In addition, entries also have an opportunity to be viewed by distributors and receive downloadable Producer software valued at $89.00. 2010 NMFF sponsors include Big Vision Studios, Susan Johnston Casting, Digital Express, Sundaram Tagore Gallery, Showbiz Software, Select Service Films, Inc., ICIO Water, and Starbucks Coffee. For more information on sponsors or on becoming a sponsor, please visit http://www.newmediafilmfestival.com . The New Media Film Festival was created with an endorsement from C3 ? The Center for Conscious Creativity (http:// ringfestival.wordpress.com), and is an adjunct to The Ring Festival as announced at the November 16, 2009 meeting helmed by United Nations/ Millenium futurist Jerome Glenn. NOTE: We (Provocateur Pictures & The J.X. Williams Archive) send out messages once in a blue moon. However, if a blue moon is still more often than you would like, just reply to this e-mail with the subject line "remove" and we will do just that. To unsubscribe from this list please goto http://www.simplelists.com/subscribe/jxarchive.php -------------- next part -------------- An HTML attachment was scrubbed... URL: From geert at xs4all.nl Wed Apr 21 15:05:40 2010 From: geert at xs4all.nl (Geert Lovink) Date: Wed, 21 Apr 2010 15:05:40 +0200 Subject: http://videoonwikipedia.org/ References: Message-ID: <0DBA1A26-524F-444C-BEAA-C3564BFC8612@xs4all.nl> > From: Geert Lovink > Date: 21 April 2010 2:59:40 PM > To: cpov > Subject: http://videoonwikipedia.org/ > > http://videoonwikipedia.org/ > > Hi all, > > this is a nice project where two projects/research networks of our > INC institute come together: Video Vortex and WikiWars/Critical > Point of View. > > If you know more about videoonwikipedia.org, please keep us up to > date. > > Best, Geert > > > > > _______________________________________________ > Cpov_listcultures.org mailing list > Cpov_listcultures.org at p10.alfaservers.com > http://p10.alfaservers.com/mailman/listinfo/cpov_listcultures.org From geert at xs4all.nl Fri Apr 23 22:21:41 2010 From: geert at xs4all.nl (Geert Lovink) Date: Fri, 23 Apr 2010 22:21:41 +0200 Subject: YouTube Bibliography Message-ID: <0080D2E6-7962-4BA7-B192-C8CA5EB7F919@xs4all.nl> http://www.strangelove.com/blog/youtube-bibliograhy/ From es at mur.at Mon Apr 26 14:22:01 2010 From: es at mur.at (Evelin Stermitz) Date: Mon, 26 Apr 2010 14:22:01 +0200 Subject: =?utf-8?q?Fwd=3A_Announcement_of_new_book_MASHUP_CU?= =?utf-8?q?LTURES=2C_Springer_Wien_=E2=80=93_New_York?= Message-ID: <20100426142201.ps3r4v1bc0ow0gw0@secure.mur.at> ----- Forwarded message from Stefan.Sonvilla-Weiss at taik.fi ----- Date: Thu, 22 Apr 2010 13:54:13 +0300 From: Stefan Sonvilla-Weiss Reply-To: Stefan Sonvilla-Weiss Subject: Announcement of new book MASHUP CULTURES, Springer Wien ? New York MASHUP CULTURES Sonvilla-Weiss, Stefan (Ed.) 1st Edition., 2010, 256 p. 41 illus., Softcover ISBN: 978-3-7091-0095-0 http://www.springer.com/springerwiennewyork/art/book/978-3-7091-0095-0 ABOUT THIS BOOK This volume brings together cutting-edge thinkers and scholars (Henry Jenkins, Mizuku Ito, David Gauntlett) together with young researchers and students, proposing a colourful spectrum of media-theoretical, -practical and -educational approaches to current creative practices and techniques of production and consumption on and off the web. Along with the exploration of some of the emerging social media concepts, the book unveils some of the key drivers leading to participatory engagement of the User. Mashup Cultures presents a broader view of the effects and consequences of current remix practices and the recombination of existing digital cultural content. The complexity of this book, which appears on the occasion of the fifth anniversary of the international MA study program ePedagogy Design ? Visual Knowledge Building, also by necessity seeks to familiarize the reader with a profound glossary and vocabulary of Web 2.0 cultural techniques. TABLE OF CONTENTS Stefan Sonvilla-Weiss: Introduction: Mashups, Remix Practices and the Recombination of Existing Digital Content; Axel Bruns: Distributed Creativity: Filesharing and Produsage; Brenda Castro: The Virtual Art Garden: A Case Study of User-centered Design for Improving Interaction in Distant Learning Communities of Art Students; Doris Gassert: "You met me at a very strange time in my life." Fight Club and the Moving Image on the Verge of 'Going Digital'; David Gauntlett: Creativity, Participation and Connectedness: An Interview with David Gauntlett; Mizuko Ito: Mobilizing the Imagination in Everyday Play: The Case of Japanese Media Mixes; Henry Jenkins: Multiculturalism, Appropriation, and the New Media Literacies: Remixing Moby Dick; Owen Kelly: Sexton Blake & the Virtual Culture of Rosario: A Biji; Torsten Meyer: On the Database Principle: Knowledge and Delusion; Eduardo Navas: Regressive and Reflexive Mashups in Sampling Culture; Christina Schwalbe: Change of Media, Change of Scholarship, Change of University: Transition from the Graphosphere to a Digital Mediosphere; Noora Sopula & Joni Leimu: A Classroom 2.0 Experiment; Stefan Sonvilla-Weiss: Communication Techniques, Practices and Strategies of Generation "Web n+1"; Wey-Han Tan: Playing (with) Educational Games - Integrated Game Design and Second Order Gaming; Tere Vad?n interviewed by Juha Varto: Tepidity of the Majority and Participatory Creativity; Glossary; About the Authors --- Professor Stefan Sonvilla-Weiss, PhD Head of MA ePedagogy Design-Visual Knowledge Building Aalto University / School of Art and Design PL 31000 (H?meentie 135 C, 00560 Helsinki) 00076 Aalto stefan.sonvilla-weiss at taik.fi http://epedagogydesign.uiah.fi http://www.sonvilla-weiss.org http://www.taik.fi http://www.aalto.fi --------------------------------------------- MY NEW BOOKS 2009-10: Stefan Sonvilla-Weiss (ed.) Mashup Cultures Springer Wien/New York http://www.springer.com/springerwiennewyork/art/book/978-3-7091-0095-0 --- Stefan Sonvilla-Weiss (IN)VISIBLE. Learning to Act in the Metaverse Springer Wien/NewYork http://www.springer.com/springerwiennewyork/art/book/978-3-211-78538-6 ----- End forwarded message ----- From seth.keen at rmit.edu.au Wed Apr 28 07:06:09 2010 From: seth.keen at rmit.edu.au (Seth Keen) Date: Wed, 28 Apr 2010 15:06:09 +1000 Subject: Launch of journal for academic videos - www.audiovisualthinking.org References: Message-ID: http://www.audiovisualthinking.org/ About Audiovisual Thinking Audiovisual Thinking is a pioneering forum where academics and educators can articulate, conceptualize and disseminate their research about audiovisuality and audiovisual culture through the medium of video. International in scope and multidisciplinary in approach, the purpose of Audiovisual Thinking is to develop and promote academic thinking in and about all aspects of audiovisuality and audiovisual culture. Advised by a board of leading academics and thinkers in the fields of audiovisuality, communication and the media, the journal seeks to set the standard for academic audiovisual essays now and in the future. best Seth Keen --- Lecturer, Media School of Media and Communication RMIT University office: 9.4.43 (city campus) tel: (61 3) 9925 3017 sethkeen.net/blog -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at e-artnow.org Wed Apr 28 20:04:40 2010 From: info at e-artnow.org (e-artnow) Date: Wed, 28 Apr 2010 20:04:40 +0200 (CEST) Subject: Fluxus 2010 - International Film Festival on the Internet Message-ID: <8e4fa3951e218088c7fc854bd027f9b6@dm.e-artnow.org> Create your own announcement + Opening reminder 28.04.2010 Fluxus 2010 - International Film Festival on the Internet Fluxus 2010 - International Film Festival on the Internet Zeta Filmes www.fluxusonline.com Andromeda ? The Girl Who Smoked Soap Contact fluxusfestival at gmail.com Zeta Filmes Phone: 553132968042 Fax: 553132968042 Address www.fluxusonline.com Zeta Filmes av.prudente de morais 287/1205 30350093 brazil FLUXUS: CINEMA EVERYWHERE Fluxus 2010 celebrates ten years with exhibition at MIS-SP and a new website; 40 films, from 14 countries, in competition Both a product and a reflection of the technology of its times, Fluxus ? International Film Festival celebrates the 10th anniversary of its first edition. Born in the environment of new technologies, under the signs of aggregation, portability, mobility, interaction and the democratic nature of the medium, Fluxus has been created in the hopeful atmosphere of the 2000's, which conceived the Internet as a promising channel to the audiovisual exhibition as well. Now, in 2010, Fluxus proposes a new challenge to the cinema exhibition, joining the Internet and the Museum: Fluxus will take place simultaneously in its website ? www.fluxusonline.com ? and at the S?o Paulo Museum of Image and Sound (MIS-SP), where the Fluxus Gallery will be installed. The Internet and the Museum challenge the spectator to see, to share and to pass through this flow of moving images. The Fluxus Gallery, which will occupy the exhibition hall of MIS-SP between April 23rd and June 20th, will provide the possibility of a collective exhibition space, a movie-oriented place composed by 12 screens, which will allow the spectator to have simultaneous views of all the films in the Festival. Exclusively at the Fluxus Gallery, there will be also a space devoted to a retrospective that will present 14 films of past editions of the Festival. Renowned artists have been invited to the event, such as Seoungho Cho, Anney Bonney, Anouk de Clercq and Cao Guimar?es, among others. The experience of the transposition of the festival from the conventional movie theaters to the Internet, and from the latter to the Museum, aims at bringing to the real world possibilities already found in the virtual universe. The visitor will be able to move among screens, to choose which film to watch, to shift from one to another. Fluxus wants to extend the duration of a film festival, always so fast and urgent, so that, during these two months at MIS-SP, spectators will be able to take their time to watch, re-watch, and make their choices. Fluxus 2010 brings 40 films in competition. They have been produced in 14 countries and selected among 1,200 film applications for the Festival. The public will choose the best film of Fluxus 2010 at the website www.fluxusonline.com. All kinds of movies are represented at the competitive section of Fluxus 2010. The fictional cinema shows up not only in its traditional narrative form ? such as in the German 'The Package' or in the Spanish 'Entwined' ? , but also in hardly conventional productions, as it is the case of the first short film of the French actor Gr?goire Colin, the mysterious 'Fox Bay'; of the Spanish cult movie 'The Attack Of The Robots From Nebula-5'; of the Malaysian indie movie 'Love Suicides'; or of the dramatic 'The Bitter Taste of Chocolate'. The aesthetic experimentation, one of the distinguishing features of the Festival, can be also seen in movies such as 'The Earth Under My Feet', by the young French director Sophie Sherman, or the Taiwanese 'Diary Deviation'. Fluxus also presents the animated cinema with its wide spectrum of techniques and styles. There are 15 animations, every one different from each other: the world of a man and his dog in the beautiful 'Clouds, Hands', by the award-winning Italian director Simone Massi; the animated travel log of a journey to a new world in 'Madagascar'; the black sheep of the family in the Finnish 'The Unplugged Son'; or the underground world of strange creatures in 'The Silence Beneath The Bark'. Eleven Brazilian films participate in the competitive section. The highlights are the last work of the award-winning video artist Carlosmagno Rodrigues, 'Andromeda ? The Girl Who Smoked Soap' (his sixth film to take part in Fluxus), and a new generation of Brazilian directors, such as Bruno Jorge, with his documentary 'The Barons'; Andr? Mielnik, from Rio de Janeiro, with 'Rise Sofia'; and Gabriel Martins, from Minas Gerais, with 'At The End Of The World'. Another film to pay attention to is 'Shadow's Sight', which marks the debut in direction of the photographer Fabio Cancado, from Minas Gerais. At the website of Fluxus 2010 ? www.fluxusonline.com ?, besides of watching films, the spectator will be also able to make his or her favorite movie lists, to share, to comment and to vote on his or her favorites. The website will be online on April, 22nd. Curated by Francesca Azzi, Eduardo Garretto and Daniella Azzi, Fluxus 2010 is a production of Zeta Filmes, co-produced by MIS-SP and sponsored by Petrobras under the Rouanet Cultural Incentive Law of the Ministry of Culture. Fluxus in numbers: 54 films from 15 countries. :: competitive program: 40 films > 15 fictional movies, 14 animated movies, 8 experimental films, 3 documentaries. :: retrospective: 14 films | 7 countries. > 15 countries: Austria, Belgium, Brazil, Finland, France, Germany, Iran, Japan, Malaysia, Portugal, Russia, Spain, South Korea, Taiwan, USA. Service Fluxus 2010 ? 7th International Film Festival on the Internet Website: www.fluxusonline.com Fluxus Gallery | premi?re: April 22nd, at 7 PM, at the Exhibition Hall | visiting: from April 23rd to June 20th, 2010 | From Tuesday to Saturday, from noon to 7PM; Sundays and holidays, from 11AM to 6PM, at the Exhibition Hall. Entrance fee: R$4 and R$2 (students); free for people over the age of 65 and on Sundays. Classification: suitable for all ages. S?o Paulo Museum of Image and Sound (MIS-SP) Avenida Europa, 158, Jardim Europa, S?o Paulo | +55-11-2117-4777 | www.mis-sp.org.br Parking fee: R$ 7. Ramps and elevators for handicapped. Air conditioning. How to create your own announcement with e-artnow Unsubscribe from e-artnow -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: mime-attachment.jpeg Type: image/jpeg Size: 2571 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: mime-attachment.jpeg Type: image/jpeg Size: 14463 bytes Desc: not available URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: mime-attachment.png Type: image/png Size: 5849 bytes Desc: not available URL: